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Such synchronization endorses complete hypnotization of the African people who are deceived by the myth of a benevolent patron that supposedly aims at nothing but enlightening and civilizing people everywhere.
Hypnotization plays a prominent role in the nineteenth-century novel: the Maestro also makes use of a sort of hypnosis to steal the identity of his victims.
Experimentation may now be justified on the possibility that some such suggestions can be counterproductive and some productive, depending, perhaps, on whether they imply that some special additional effect or effort beyond hypnotization is necessary, or whether they fit into the subject's a priori beliefs about what can happen naturally during hypnosis.