idol

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Related to idolize: idolisation, overwhelmed

idol,

an object, frequently an image, which is worshiped as a deity. Idols are usually found in human or animal form and may be treated as though alive; they are fed, bathed, anointed, crowned, and sometimes even provided with a consort. Christians and Jews extend the term to include any deity other than their own; theologically, however, idol worship is generally applied to the adoration of what is seen and tangible as opposed to the worship of an unseen spiritual being.
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The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.

Idol

 

a material object to which religious worship is addressed. The cult of the idol, idolatry, originated far back in antiquity. To the worshippers the idol either represents (substitutes for), contains, or is the divinity itself. In modern religions idols continue to exist in the form of icons, crucifixes, and so on. In the figurative sense an idol is any object blindly and fanatically adored.

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.

idol

1. a material object, esp a carved image, that is worshipped as a god
2. Christianity Judaism any being (other than the one God) to which divine honour is paid
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005

IDOL

Icon-Derived Object Language. An object-oriented preprocessor for Icon.

ftp://src.doc.ic.ac.uk/pub/languages/icon/idol.tar.Z.

["Programming in Idol: An Object Primer", C.L. Jeffery, U Arizona CS TR #90-10].
This article is provided by FOLDOC - Free Online Dictionary of Computing (foldoc.org)
References in periodicals archive ?
Fellow Idolize member, Colin Baker, 21, who was also in the car, suffered minor injuries.
It doesn't make much sense either that Alfie Byrne, the main character of A Man of No Importance (played by Roger Rees), idolizes Oscar Wilde, puts on his plays with an amateur company, and reads his poems aloud on the bus yet seems oblivious to Wilde's reputation as the foremost champion of "the love that dare not speak its name." But for middle-aged closet cases, denial is a survival strategy.
If, on the other hand, postmodernism is an entropic apocalypse in which each mode of art idolizes itself even as it combines with other modes to form a kind of Frankenstein monster, then whether the creature comes to life depends on the artist's ability to insinuate his or her own life into it.
'Parang gusto kong umiyak (I felt like crying),' bared Ancajas, who idolizes the Philippine senator.