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tactile sensation received by the skin, enabling the organism to detect objects or substances in contact with the body. End organs (nerve endings) in the skin convey the impression to the brain. Touch sensitivity varies in different parts of the body, depending on the number of end organs present in any one area. The tip of the tongue, lips, and fingertips are three of the most sensitive areas, the back and parts of the limbs the least so. The sense of touch is very closely related to the other four sensations received by the skin: pain, pressure, heat, and cold. There is a specific kind of sensory receptor for each of the five so-called cutaneous senses. For example, light-touch receptors convey only the sensation that an object is in contact with the body, while pressure receptors convey the force, or degree, of contact. The blind learn to read by the Braille system by making use of the sensitivity to touch of the fingertips.



the ability of animals and man to sense environmental factors by means of receptors in the skin; in the locomotor system, which includes the muscles, tendons, and joints; and in some mucous membranes, such as those on the lips and tongue.

The tactile process is based on stimulation of various types of receptors: mechanoreceptors that perceive contact, pressure, and tension; thermoreceptors that perceive heat and cold; and pain receptors. This information then reaches and is transformed by the central nervous system, including the cerebral cortex. The sensation of touch can be quite varied because it results from a complex perception of different properties of a stimulus acting on the skin and subcutaneous tissues. The perception of environmental objects by touch permits evaluations to be made concerning their shape, size, surface properties, consistency, temperature, dryness or wetness, and position and movement in space. At the cellular level, touch breaks down into several different receptor processes: there is no single morphological type of tactile cell.

The sense of touch greatly broadens the organism’s impressions of its surroundings and plays an important role in its vital activity. In many lower animals the sense of touch, together with chemical sensitivity, is the principal means of perceiving the environment. To some extent, touch substitutes for the sensory organs of sight and hearing when they are injured. Touch permits blind persons to read, perform a variety of delicate manual operations, and orient themselves in space. In persons who are both blind and deaf, touch is the main source of information about the outside world and can be developed to an exceptionally high degree. The term “touch” is becoming less common because of increasing knowledge of the receptor processes’ cellular mechanisms; the mechanisms of mechanoreception, thermoreception, and pain are usually considered independently.


Granit, R. Elektrofiziologicheskoe issledovanie retseptsii. Moscow, 1957. (Translated from English.)
Esakov, A. I., and T. M. Dmitrieva. Neirofiziologicheskie osnovy taktil’nogo vospriiatiia. Moscow, 1971.
Fiziologiia sensornykh sistem, part 2. (Ruko-vodstvopo fiziologii.) Leningrad, 1972.
Milner, P. Fiziologicheskaia psikhologiia. Moscow, 1973. Chapters 8, 10. (Translated from English.)




a performer’s particular manner of producing sound on the piano through various ways of pressing and striking the keys. Each pianist has his own individual touch, which depends on his physiology and artistic intent. J. Field and S. Thalberg produced a soft, “velvety” tone; S. V. Rachmaninoff and A. G. Rubinstein played with a deep, rich tone; and K. N. Igumnov elicited a tender, lyric sound.


The array of sensations arising from pressure sensitivity of the skin.


1. Rugby Soccer the area outside the touchlines, beyond which the ball is out of play (esp in the phrase in touch)
2. Archaic
a. an official stamp on metal indicating standard purity
b. the die stamp used to apply this mark
3. a scoring hit in competitive fencing
4. an estimate of the amount of gold in an alloy as obtained by use of a touchstone
5. the technique of fingering a keyboard instrument
6. the quality of the action of a keyboard instrument with regard to the relative ease with which the keys may be depressed
7. Bell-ringing any series of changes where the permutations are fewer in number than for a peal


(1) A generic reference to touchscreen interfaces, which means using the fingers to type, tap icons and move objects on a touch-sensitive screen. See touchscreen and Touch Bar.

(2) See iPod touch.
References in periodicals archive ?
We are organising a buffet breakfast to welcome back all those 1970s graduates with whom we have lost touch - so, if you are a University of Leicester graduate from the '70s, and have not had any contact from the University, please get in touch now!
We are organising a buffet breakfast to welcome back all those 1970s graduates with whom we have lost touch and if you are one of them, please get in touch now.
"We lost touch with the values that made us a progressive force in politics and we lost touch with the people we sought to represent."
With a focus on the UK, this guide shows readers how to find people they've lost touch with by using the internet, tracing births, marriages, and deaths, and other public records in the UK, as well as finding people through their work and hobbies, using agencies and organizations, and searching worldwide.
When Sue Stinson addressed the National Dance Education Organization membership last October, she reminded listeners that the most basic and perhaps profound of the many reasons that dance in education is vital is one we may have lost touch with: Dance is fun.
Indiana still has a chic geometric bandanna designed by Kelly, even though the two lost touch years ago.
Audrey and Diane worked with me at George Masons, in Sheldon but we lost touch when I moved house.
I'm sure that many CIMA members have, like me, lost touch with many of their old workmates and would benefit from contacting Friends Reunited in an attempt to find out what has happened to them.
It's made accessible by moments of humor, tartness, and insight, yet in the manner of a sovereign who has lost touch with her subjects, her Majesty is basically aloof.
The man is Trinidad-born Justin Peters, a Harvard graduate and professor of literature at a public college in Brooklyn, who is constantly criticized for his focus on the works of "Dead White Men." His wife, Sally, is a Harlem-born poet-turned-elementary schoolteacher, who feels that she has lost touch with her authentic self.
She suggests that feminists today, having lost touch with this redemptive anger, have lost something valuable.
As it turns out, they found they had also lost touch with their customers."