mandorla


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Related to mandorla: vesica piscis

mandorla

(män`dôrlä), [Ital.,=almond], a medieval Christian artistic convention by which an oval or almond-shaped area or series of lines surrounds a deity, most commonly Jesus. The mandorla is thought to have derived from either Greek or Roman prototypes. Figures of deities were sometimes placed within semicircular outlines on Greek vases. The Romans surrounded portrait busts with medallions and shields. One of the earliest known uses of the mandorla in Christian iconographyiconography
[Gr.,=image-drawing] or iconology
[Gr.,=image-study], in art history, the study and interpretation of figural representations, either individual or symbolic, religious or secular; more broadly, the art of representation by pictures or images, which may or
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 occurs in the 5th-century mosaics in the church of Santa Maria Maggiore, Rome. The principal applications of the mandorla, also sometimes termed aureole or vesica pisces, were in paintings depicting the Transfiguration, the Ascension, the Last Judgment, the Harrowing of Hell, and in symbolic portrayals of the evangelists and Christ in Majesty. The Virgin Mary and the major angels were also shown enclosed in a mandorla. The convention, like that of the halo, was discontinued during the Renaissance. See nimbusnimbus
, in art, the luminous disk or circle or other indication of light around the head of a sacred personage. It was used in Buddhist and other Asian art and by the early Greeks and Romans to designate gods and heroes and appeared in Christian art in the 5th cent.
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.

mandorla, vesica piscis

An aureole, almond-shaped, depicted around the full form of a sacred person.
References in periodicals archive ?
El espacio en que Cristo rescata a Adan esta formalizado mediante una estructura en ojiva, suavizada por un circulo, de amplio uso en la iconografia cristiana del arte medieval: la mandorla (termino que significa <<almendra").
(5) CARLOTA CAULFIELD, Entre el alef y la mandorla: poetica, erotica y mistica en la obra de Jose Angel Valente, tesis, Tulane University, New Orleans, 1992, p.
In the icon of the resurrection, as is common for many icons, the central most mandorla (circle) surrounding Jesus is black and meant to indicate the ultimate depth of the divine life out from which Jesus comes.
"'Hondo es el pozo del tiempo': Memory and Violence in Raul Zurita's Las ciudades del agua (2007." Mandorla: New Writing from the Americas/Nueva escritura de las Americas 13 (2010): 405-20.
Mandorla, Nueva Escritura de las Americas / New Writing from the Americas 11:382-398.
He has criticism in The CEA Critic, The Faulkner Journal, and Mandorla. His first book-length collection of poems, Please Do Not Feed the Ghost, was published in 2008.
Avevano i bordi bianchi e alti un paio di millimetri (era il grasso e la pelle), si aprivano a forma di mandorla, dentro erano marrone.
TOP jazz saxophonist Carlos Lopez-Real is bringing his new band, Mandorla, to Huddersfield Jazz Club on April 25.
Esto ya lo habia experimentado anteriormente con desigual fortuna a la hora de llegar a ese "centro" de la identidad en otros libros de poemas tales como Material memoria (1977), Tres lecciones de tinieblas (1980), Mandorla (1982), El fulgor (1984) y Al dios del lugar (1989) y continuara haciendolo mas adelante hasta Fragmentos de un libro futuro (2000).
Nostalgico y derrotado, abrumado de sintagmas, putrefacto entre las palabras, fuiste durmiendo el sueno eterno y ahi, alrededor de tu cuerpo, como eterea mandorla te cubrio el silencio.
La "Almendra", que tambien es la "Mandorla" de Jose Angel Valente, tiene en si la nota de su feminidad y, en palabras del poeta espanol, "simboliza la interseccion de los mundos visible e invisible [...] donde la separacion entre el cuerpo y el espiritu no existe o ya ha dejado de existir".
La mandorla que rodea a Jesus, simboliza la divinidad de Cristo.