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see sopranosoprano
[Ital.,=above], female voice of highest pitch. The three basic types of solo soprano are coloratura, lyric, and dramatic. The coloratura has a great range and impressive vocal agility; the lyric soprano has a light, pretty voice; and the dramatic soprano has a sustained
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a female voice intermediate in range between soprano and contralto. The high, lyric mezzo-soprano is similar to the soprano, and the low mezzo-soprano approximates the contralto.

Characteristic of the mezzo-soprano are a full sound in the middle register and a low chest register. Its compass extends from A, B-flat to a”, b-flat”. Opera parts written for mezzo-soprano include Marfa in Mussorgsky’s Khovanshchina, Liubasha in Rimsky-Korsakov’s The Tsar’s Bride, and Carmen in the opera of the same name by Bizet. Among the most outstanding Russian and Soviet mezzo-sopranos are A. P. Krutikova, M. A. Slavina, N. A. Obukhova, and S. P. Preobrazhenskaia. In choirs the mezzo-sopranos sing the first alto part.


a female voice intermediate between a soprano and contralto and having a range from the A below middle C to the F an eleventh above it
References in periodicals archive ?
Boldrey's listing of the term Zwischenfach acknowledges the literal meaning of a voice type that "cannot be classified precisely in one Fach or another," yet notes that "it is commonly understood to refer to that shadowland between soprano and mezzo-soprano.
To Mahler's song cycle, sung by mezzo-soprano Yvi Janicke and baritone Dietrich Henschel, emotion is translated into bracing leaps, pirouettes with spiraling torsos, and fancy foot patterns that allude to combat, camaraderie, nostalgia, and trauma.
Gasser says that the voice range demanded by Milan's songs corresponds to that of a mezzo-soprano and that they might well be performed by a counter-tenor to be consistent with the male point of view of many of the songs.
Recently released podcasts include Behind the Curtain at the LA Opera, Podcast #5 - Hansel and Gretel: New visions of a classic fairytale, which features director/designer Douglas Fitch sharing his vision behind the unconventional new setting of Engelbert Humperdinck's beloved masterpiece, and Behind the Curtain at the LA Opera, Podcast #6 - The Coronation of Poppea: Susan Graham's Riveting LA Opera Debut, which reveals internationally acclaimed mezzo-soprano Susan Graham discussing her title role, the challenges and opportunities involved with making a company debut, and her devotion to early music.
The Lunenburg Academy of Music Performance (LAMP), which gives young musicians an opportunity to study with acclaimed visiting and resident artists, invited the incomparable Italian mezzo-soprano Daniela Barcellona to direct Rossini's Tancredi.
As always, the choral society has attracted a group of internationallyknown, experienced and respected soloists - soprano Rachel Nicholls, widely recognised as one of the most exciting dramatic sopranos of her generation; mezzo-soprano Alexandra Gibson, who is particularly feted for her interpretation of Baroque music; baritone David Wilson-Johnson, whose 40-year career has spanned major opera houses, orchestras and festivals world-wide; and tenor John Mark Ainsley, a visiting professor at the Royal Academy of Music and past winner of the Royal Philharmonic Society Singer Award.
The current intake of scholars are sopranos Elin Pritchard (British) and Suzanne Shakespeare (Australian), mezzo-soprano Martha Jones (British), tenors Andrew Dickinson (British) and Sipho Fubesi (South African), baritone Cozmin Sime (Romanian) and pianists Jean-Paul Pruna (French) and Alice Turner (British).
London, Aug 12 (ANI): English composer of musical theatre Sir Andrew Lloyd Webber says that he is so smitten by Welsh mezzo-soprano Katherine Jenkins that he would consider penning a West End show or ditty just for her.
The mezzo-soprano, currently on stage with Darcey Bussell in the sell-out Viva La Diva, will play Cardiff International Arena on Monday, December 22, as part of her winter UK tour and tickets go on sale this Friday at 10am.
Two of the Christmas records, from Franco-Sicilian tenor Roberto Alagna and Swedish mezzo-soprano Anne Sofie von Otter, couldn't be less alike.
When soprano opera star Patricia Racette and her partner of eight years, mezzo-soprano Beth Clayton, take Lincoln Center's Rose Hall stage on June 23 to perform a duet for the Charles Busch-hosted gay pride event True Colors, they'll be singing the most lesbian-identified piece of opera ever: the "Flower Duet" from Delibes's Lakme.