References in periodicals archive ?
Although the popularity of Black and White Minstrel Shows in local British music halls peaked in the 1890s, they continued with local amateur productions across Scotland, even in the the more remote areas such as Stornoway in Lewis and Lerwick in the Shetlands and Maybole in Ayrshire.
I grew up with the Black and White Minstrel Show on TV, which attracted an audience of 18 million.
Robert Littell, the critically acclaimed author of The Company and fourteen other novels of espionage and intrigue, called The Last Minstrel Show "a page-turner.
The populist position critiques the minstrel show, claiming that
The script itself is a series of 'Specimen Jokes, Stories, and Conundrums' which follow this advisory head note: 'In getting up a minstrel show, it is advisable each time to introduce all the new gags or jokes possible.
The tuner, from the songwriting team of John Kander and the late Fred Ebb, uses the minstrel show format to retell the true story of a 1931 case of nine young black men falsely accused of assaulting two white women.
This meant that black/ace had a history which extended back much further than the first American minstrel show, and that its meanings were never just about race.
Fagone's correct premise is that: ``if anti-American zealots anywhere in the world wanted to perform a minstrel show of our culture, this is what they'd come up with.
British ballads, black spirituals, minstrel show songs (most of their composers ironically Northern), German bands and hymns all had a major role in shaping the white folk music of 19th century America.
Sean Hayes--who has for years played a ridiculous stereotype on the minstrel show that is Will & Grace--made a few Brokeback jokes in his acceptance [speech at the Screen Actors Guild awards].
The author makes it clear that the poetry of griots who included Langston Hughes, Claude McKay, Countee Cullen, and Sterling Brown crystallized the ideological project to recast "the identities of America's anonymous black masses away from the prevailing imagery of exoticism, romantic folkishness, and minstrel show buffoonery and toward a greater semblance of living, breathing, and proletarian human beings" (178).
The name Jim Crow came from a character from a minstrel show that portrayed blacks negatively.