Requiem


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requiem

(rĕk`wēəm, rē`–, rā`–) [Lat.,=rest], proper MassMass,
religious service of the Roman Catholic Church, which has as its central act the performance of the sacrament of the Eucharist. It is based on the ancient Latin liturgy of the city of Rome, now used in most, but not all, Roman Catholic churches. The term Mass [Lat.
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 for the souls of the dead, performed on All Souls' DayAll Souls' Day,
Nov. 2 (exceptionally, Nov. 3), feast of the Roman Catholic Church on which the church on earth prays for the souls of the faithful departed still suffering in purgatory. The proper office is of the dead, and the Mass is a requiem.
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 and at funerals. The reformation of Roman Catholic liturgy following the Second Vatican Council (see Vatican Council, SecondVatican Council, Second,
popularly called Vatican II,
1962–65, the 21st ecumenical council (see council, ecumenical) of the Roman Catholic Church, convened by Pope John XXIII and continued under Paul VI.
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) has modified the traditional requiem, and it is now called the Funeral Mass, Mass for the Dead, or Mass of Christian Burial. Black vestments are no longer required, white or purple may be worn, and flowers are permitted. The hymnody, while still solemn in tone, is often joyful and reflects hope in the resurrection and the service is conducted in the vernacular. Its peculiarities include omission of the Gloria, the creed, and the blessing of the people. The famous sequence, the Dies iraeDies irae
[Lat.,=day of wrath], hymn of the Roman Catholic Church. A part of the Requiem Mass, it is a powerful description of the Judgment and a prayer to Jesus for mercy. Suggested in part by Zeph. 1.14–16, it was probably written by Thomas of Celano.
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, is now optional. The opening words of the introit, "Eternal rest grant unto them, O Lord, and let perpetual light shine upon them," echo through all the prayers for the dead. The traditional Gregorian musical setting of the requiem is quite beautiful; other requiem music has been written (e.g., by Mozart and Verdi), but it is not often heard in churches.

Requiem

 

(in Russian, panikhida,) a church funeral service. In Eastern Orthodoxy, it is conducted over the deceased before burial; on the third, ninth, 20th, and 40th day after death; on anniversaries of the death; and on the birthday and saint’s day of the deceased. Besides individual requiems for each deceased, the church conducts general or universal requiems on certain days.

Secular requiems comparable to church requiems have become widespread. They include a memorial service and procession, with an honor guard at the bier.


Requiem

 

a funeral mass in memory of the deceased and for the repose of their souls. The requiem mass is distinguished from the ordinary Catholic mass by the omission of certain sections (the Gloria and the Credo), for which other sections are substituted (the Requiem in the beginning, followed by the Dies irae, Tuba mirum, and Lacrimosa, for example).

Requiems by 15th- and 16th-century composers were cyclic, polyphonic, a cappella choral works based on Gregorian chant melodies. In the 17th and 18th centuries the requiem became a major work for choir, soloists, and orchestra and, for the most part, lost its connection with Gregorian chant. Composers combined homophonic and harmonic with polyphonic expressive means. The most outstanding requiems acquired nonreligious significance and were, as a rule, performed in concert halls. Mozart’s Requiem (1791), which was completed by his pupil F. Süssmayr, achieved world fame.

During the 19th century, requiems were composed by L. Cherubini, F. Liszt, A. Bruckner, and A. Dvořák. The most outstanding 19th-century requiems were written by Berlioz (1837) and Verdi (1874). Brahms’ A German Requiem (1868), which has a German text, is of special significance.

Requiems have also been written by contemporary composers, including B. Britten, whose War Requiem combines a liturgical Latin text with poems by W. Owen. Soviet composers do not use liturgical texts in requiems (for example, D. B. Kaba-levskii’s Requiem for V. I. Lenin [the Symphony No. 3, 1933] and his Requiem in memory of the victims of fascism [1963]).

REFERENCE

Schnerich, A. Messe und Requiem seit Haydn und Mozart. Vienna-Leipzig, 1909.

B. V. LEVIK

Requiem

religious mass (music or spoken) for the dead. [Christianity: Payton, 568]
See: Death

Requiem

1. RC Church a Mass celebrated for the dead
2. a musical setting of this Mass
3. any piece of music composed or performed as a memorial to a dead person or persons
References in periodicals archive ?
Richard Bratby Verdi Requiem Three Choirs Festival at Gloucester Cathedral ?????
Locals will also be given a chance to view the body, before it is taken to the late Mzee Hesbon Nyong'o's home in Rata, Seme ahead of the Friday burial.Another requiem mass will be held at St Paul's ACK in Rata, Seme on Thursday.
The St Machar's performance will be an opportunity for people in the city to hear the 40-minute piece Requiem: The Souls of The Righteous.
During the requiem meeting, temporary charge d'affaires of Kyrgyzstan in Belarus Ayimkan Kulukeyeva and head of October district administration in Minsk Gennady Lyubotynski delivered welcoming speech to veterans.
Scored for four soloists and a massive choir and orchestra, the Verdi "Requiem" has never been performed live in southern Illinois, but plans are underway to present the ambitious program beginning at 7:30 p.m.
The performance on Wednesday, November 14, will be a very special event bringing the War Requiem back to where it was first performed.
Her latest masterpiece will be performed alongside extracts from Mozart's Requiem and Durufle's Requiem in one of UK classical music's most thrilling evenings of the year, in the stunning surroundings of the cathedral, renowned for its outstanding acoustics.
The concert will feature the first performance of Materna Requiem by leading British composer Rebecca Dale whose globally acclaimed work spans TV, cinema, theatre and the concert hall.
Requiem is a great level of creepy, for me, although the use of spooky mirror and window reflection just might push me behind a cushion.
"Kyrie" and "Agnus Dei" from the Requiem by Maurice Durufle is based, in the composer's own words, "entirely on themes from the Gregorian Mass for the Dead." The ancient melodies were incorporated into a work that was commissioned by the French government in 1941 during World War II and premiered six years later.
En ella se ilustra como un personaje misterioso, con el ancho sombrero calado hasta los ojos y embozado, llega hasta la casa del Divino Mozart para encargarle una misa de difuntos, una misa para un ritual liturgico mortuorio, es decir, un Requiem, que en latin significa descanso, que es lo que se pide, suplica en la primera palabra de esta obra extraordinaria.
Faure's Requiem is perhaps his most popular piece of music.