tap dance

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tap dance,

theatrical dance form in which the dancer, wearing shoes with metal heel and toe taps, beats out complex, syncopated rhythms on the floor.

The Beginnings of Tap Dance

Tap, an American dance genre, evolved from the 17th to 19th cent. through the intermingling of elements of West African percussive dance, brought to the New World by slaves, and a variety of step and clog dance styles that originated in the British Isles. Some historians see evidence of this cultural mingling in the dances of African slaves and Irish indentured servants living on Southern plantations, while others trace it to 19th-century northern cities, where various ethnic groups lived side by side in crowded conditions. Dance competitions or "challenges," a popular form of entertainment that originated in the mid-19th cent., were a way to display one's talent as well as to learn new steps and innovations from other performers. The minstrel showminstrel show,
stage entertainment by white performers made up as blacks. Thomas Dartmouth Rice, who gave (c.1828) the first solo performance in blackface and introduced the song-and-dance act Jim Crow, is called the "father of American minstrelsy.
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, a form of entertainment performed primarily by whites in blackface that dates from the early 1800s, featured an early form of tap, often performed in wooden shoes or hobnailed boots, as well as soft shoe. Minstrel shows were later supplanted by vaudevillevaudeville
, originally a light song, derived from the drinking and love songs formerly attributed to Olivier Basselin and called Vau, or Vaux, de Vire. Similar to the English music hall, American vaudeville was a live entertainment consisting of unrelated songs,
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, which incorporated tap dancers and many other forms of entertainment and was most popular from the 1880s to the early 1930s.

The Heyday of Tap

The early 20th century saw an increase in the popularity of tap dance, with tapping chorus lines in theatrical shows and, later, motion pictures. Elements of ballet, jazz, and military drills and the use of such props as canes and stairs were incorporated into tap routines. The jazz tap musical show Shuffle Along (1921), with a Broadway show with an all-black cast, popularized the form in the jazz age and reached white and black audiences, but its success was anomalous and limited in the era of segregation and separate black and white vaudeville circuits and nightclubs.

Popular tap dancers of the time included "Peg Leg" Bates, who danced with a prosthetic leg and a tap shoe on the other foot; John Bubbles, who featured offbeat accents in his "rhythm tap"; Bill "Bo Jangles" RobinsonRobinson, Bill,
1878–1949, African-American tap dancer popularly known as "Bojangles," b. Richmond, Va., as Luther Robinson. An influential virtuoso tap dancer, he was a tap innovator and reputedly the first to dance on the balls of his feet instead of in the earlier
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, who made many movies in the 1930s and 40s, several of them with the young Shirley TempleTemple, Shirley,
1928–2014, American child film star, b. Santa Monica, Calif., as Shirley Jane Temple. She started in movies at three-and-a-half and starred in her first feature (Stand Up and Cheer!) in 1934.
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; the duo of Coles & Atkins (Honi Coles and Cholly Atkins), with routines that included soft shoe and swing dance as well as tap; and the Nicholas BrothersNicholas Brothers,
African-American tap dance team consisting of Fayard Antonio Nicholas, 1914–2006, b. Mobile, Ala., and Harold Lloyd Nicholas, 1921–2000, b. Winston-Walem, N.C.
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, who featured feats of acrobatics in their shows. Ruby Keeler, along with Eleanor Powell one of the few female tap stars of the time, enjoyed popularity in the Busby BerkeleyBerkeley, Busby
, 1895–1975, American film director and choreographer, b. Los Angeles as William Berkeley Enos. Self-taught, he choreographed several Broadway revues before moving (1930) to Hollywood, where he achieved his greatest successes at Warner Bros. (1933–39).
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 films of the 1930s. Sammy Davis, Jr., who performed with his vaudevilian parents beginning in the 1920s, Fred AstaireAstaire, Fred
, 1899–1987, American dancer, actor, and singer, b. Omaha, Nebr., as Frederick Austerlitz. After 1911 he and his sister Adele (1896–1981), b. Adele Marie Austerlitz, formed a successful Broadway vaudeville team.
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, with his elegance and sophistication, and Gene KellyKelly, Gene,
1912–96, American dancer, choreographer, movie actor, and director, b. Pittsburgh as Eugene Curran Kelly. Kelly started dancing on Broadway in 1938 and first gained fame in the title role of the Broadway musical Pal Joey (1940).
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, who had a dynamic muscular athleticism, changed the appearance of tap in their many movies of the 1940s and 50s and later enjoyed popularity on television.

Later Dancers and the Combining of Forms

After a slump in popularity in the 1960s, tap dance enjoyed a revival from the 1970s into the early 2000s. Several young, white female dancers,including Brenda Buffalino and Jane Goldberg, worked with older dancers to learn from them and find opportunities for them to perform. The tap renaissance also brought into being musical shows such as 42nd Street (1980), Stomp (1991), and Bring in 'da Noise, Bring in 'da Funk (1995) and found an audience for such dancers as Gregory Hines and Savion Glover, who combined jazz, pop, hip-hop, and other musical genres in their routines. Hines appeared alongside ballet dancer Mikhail BaryshnikovBaryshnikov, Mikhail
, 1948–, Russian-American dancer and choreographer, b. Riga, Latvia (then in the USSR). He studied in Riga and performed with the Kirov Ballet (1966–74).
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 in the film White Nights (1985), and Glover choreographed a Broadway revivial of Shuffle Along (2016).


See R. Frank, Tap! The Greatest Tap Dance Stars and Their Stories 1900–1955 (1995); C. Valis Hill, Brotherhood in Rhythm: The Jazz Tap Dancing of the Nicholas Brothers (2000) and Tap Dancing America (2010); M. Knowles, Tap Roots (2002); B. Siebert, What the Eye Hears: A History of Tap Dancing (2015).

The Columbia Electronic Encyclopedia™ Copyright © 2013, Columbia University Press. Licensed from Columbia University Press. All rights reserved. www.cc.columbia.edu/cu/cup/
References in periodicals archive ?
If you were learning tap dance in the early days, you learned nomenclature--"shuffle off to Buffalo," waltz clog, a softshoe--and you learned a routine, and that was it.
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This year it's been wonderful to teach every member of the cast to tap dance and the scenes when they're all on stage dancing together are truly spectacular." The show takes place from the July 10 to 13 and tickets, priced at PS15, can be purchased by visiting the school's Reception or by calling 01952 953 810.
When asked about the start of their romance, Catherine said: "He likes to watch me tap dance every now and again!" To which Michael replied: "I watch her tap dance, anywhere and any place.
Be on the lookout for our Tap Dance Celebration on June 23 open to all dancers ages 9-18.
Little is known about the biomechanics and motor control of tap dancing; hence, we conducted an analysis of some basic tap dance steps using three-dimensional (3D) motion analysis.
As tap dancers, we learn quickly that, just like jazz music, tap dance has that undeniable spirit, the spirit of freedom of speech.
Eventually, metal taps were manufactured and added to the bottoms of tap dance shoes.
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Chapters unfold about Early Dance to Middle Ages, Dance in the Middle Ages, Early American Dance, Ballet and Other Dances, Modern Dance, Tap Dance, Jazz Dance and Minstrelsy, and more chapters on Modern Dance, Tap Dance and Jazz Dance and Musicals.
Hundreds of dancers from 15 tap dance clubs from Huddersfield, Calderdale and Bradford took part in the day-long tapathon on Sunday.
Baltimore, MD, August 08, 2014 --(PR.com)-- The Moxie Fords, Baltimore's only comedic tap dance troupe, will present Peter Pan: A Tap Dance Spectacular at the Yellow Sign Theatre (1726 North Charles Street) on Saturday, August 23, 2014.