ferrotype

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ferrotype

[′fe·rə‚tīp]
(graphic arts)
A photograph formed on a metal plate coated with collodion and sensitive salts.
References in periodicals archive ?
Having decided to highlight the individuals behind the music, Sage Gateshead commissioned Sunderland photographer Andy Martin to portray each musician using a process called tintype or wet collodion - popular for a time in Victorian England but which he has brought back in to use.
Synopsis: Young siblings Tess and Toby discover an antique tintype portrait of an unknown ancestor in a family heirloom trunk.
Similarly, there's a healthy market for photographic prints made with the standard gelatin-silver and color "wet" or "chemical" methods, and even a thriving revival of the earlier alternative processes: platinum, cyanotype, tintype, ambrotype, daguerreotype, each with its own distinctive look and feel.
The Slow Portrait, exhibition of tintype photography by Antonie Robertson, live portrait demonstration, 5pm; exhibition runs from November 2-19, at Gulf Photo Plus, Alserkal Avenue, D36, Al Quoz.
The popularity of these tintype photographs (patented in 1856) can be explained to some extent by the fact that they were produced immediately after they were taken.
Adam's work has been selected to exhibit at the Screaming Hornets show, at the Tintype gallery, London, September 5-27, 2014.
I decided to employ the antiquated tintype wet plate process, the first time to my knowledge, that tintypes have been made in a combat zone since the American Civil War.
New Mexico historian Frank Parrish, of Las Cruces- who revealed the new image, made from a tintype owned by a Mesilla Valley man who wishes to remain anonymous- claimed that the man standing at the right end of the picture is the legendary gunfighter who was also known as William Henry McCarty Jr.
It investigates the relationship between politics and photography during the tumultuous period and presents exceptional political ephemera from the private collection of Brian Caplan, including a rare set of campaign buttons from 1860 featuring original tintype portraits of the competing candidates; a carved tagua nut necklace featuring photographic portraits of Confederate Pres.
She explains how to make light-sensitive materials for developing unique digital images and techniques to transfer them to various substrates, including glass and canvas, as well as ways to make prints inspired by early processes like anthotype, cyanotype, tintype, daguerreotype, photogravure, and Polaroid, and traditional printmaking processes like monotypes, collagraphs, and etchings.
Dykstra includes in the book one of the few extant photographs of Adams, an undated tintype.