von Sternberg


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von Sternberg

Joseph , real name Jonas Sternberg. 1894--1969, US film director, born in Austria, whose films include The Blue Angel (1930), Blonde Venus (1932), The Scarlet Empress (1934), and the unfinished I, Claudius (1937)
References in periodicals archive ?
Her spare time was spent in occasional visits to boxing matches and football games - invariably with Von Sternberg.
The movie, von Sternberg, Dietrich, and Dietrich's sultry rendition of "Falling in Love Again" were all celebrated in the United States.
Von Sternberg and John Casey, one of the film's producers, were presented with Certificates of Appreciation from the Pennsylvania House of Representatives "for helping improve the lives of Lupus patients throughout Pennsylvania.
Cuando von Sternberg hizo en los estudios berlineses una prueba filmica a Marlene, advirtio su fotogenia y, aunque la oyo cantar mediocremente, gusto de su voz ronca que (segun despues dijo) parecia "originada no en la garganta sino en el cono"; e inmediatamente supo que ya tenia a la interprete de Lola-Lola (el doble nombre de dos olas y cuatro liquidas eles asignado a la antiheroina, que en la novela era solamente una tal Rosa).
Rochelle Olson & Bob von Sternberg, GOP Demands Equal Time as Aide Apologizes, STAR TRIB.
HSI CEO, Carl von Sternberg, said, "Through unique maintenance programs, legacy parts inventories, and the Worldwide Parts Locator Service, HSI frees network operators from the product lifecycles of network equipment manufacturers allowing them to extend the life of their network assets.
Another imported director with a more assimilative temperament, the Austrian Josef von Sternberg, was now given the job of bringing An American Tragedy in line with Hollywood expectations.
El salto a la fama lo consiguio en 1930 con "El Angel Azul", la pelicula de Josef von Sternberg en la que encarno al prototipo de mujer fatal en el papel de "Lola Lola", la cabaretera de sombrero de copa y ligas que hace perder la razon a un profesor universitario e inmortaliza la cancion "Estoy hecha para el amor de la cabeza a los pies".
Shot in sumptuous black and white worthy of Josef von Sternberg and filled with slices of the surreal and the cruel, Winnipeg visionary Guy Maddin's second feature is a masterpiece: a wistful, luminous conflation of absurdity, high romance, heroic delusion and the Canadian colonial.
The book's interviews vary in length, from the few terse exchanges with Josef Von Sternberg to the more than a hundred pages with Howard Hawks.