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weaving, the art of forming a fabric by interlacing at right angles two or more sets of yarn or other material. It is one of the most ancient fundamental arts, as indicated by archaeological evidence. Discoveries in the early 1990s in the Czech Republic point to a possible origin in the Paleolithic period some 27,000 years ago. Moreover, the earliest literatures often mention the products of the loom. In primitive cultures weaving was practiced mainly by women.

Although weaving sprang up independently in different parts of the world and was early known in Europe, its high development there in the Middle Ages was brought about by Eastern influences operating through Muslim and Byzantine channels of culture. Byzantium became a center of silk weaving in the 6th cent. In the 9th cent. Greece, Italy, and Spain became proficient. In Flanders a high degree of skill was attained by the 10th cent., especially in the weaving of wool. Flemish weavers brought to England by William the Conqueror and later by Queen Elizabeth I gave a great impetus to the craft there, and Lancashire became an important center. Tapestry weaving was brought to a high art in France. In colonial America weaving was a household industry allied with agriculture.

The 18th-century weaving and spinning inventions marked the transition from the old era of domestic craftsmanship to the tremendous, organized industry of today. The factory system of machine weaving produces quantities of standardized material for mass consumption; the result is a loss of the distinctive elements of quality and design. Some of the finest silks, velvets, table linens, and carpets are still woven on handlooms.

The Weaving Process

The first step in weaving is to stretch the warp, or longitudinal, yarns, which must be very strong. The weft, woof, or filling crosses the warp, binding the warp threads at either side to form the selvage. The three essential steps after the warp is stretched are: shedding, or raising every alternate warp yarn or set of yarns to receive the weft; picking, or inserting the weft; and battening, or pressing home the weft to make the fabric compact. In most primitive weaving these operations were performed by the hands alone, as in making rush mats and baskets. Gradually frames for holding the warp evenly stretched and devices for throwing the weft came into use (see loom).

Types of Woven Fabrics

Woven fabrics are classified as to weave or structure according to the manner in which warp and weft cross each other. The three fundamental weaves, of which others are variations, are the plain, twill, and satin. In plain weave, also known as calico, tabby, taffeta, or homespun weaves, the weft passes over alternate warp threads, requiring two harnesses only. The relatively simple construction suits it to cheap fabrics, heavy yarns, and printed designs. Variations are produced by the use of groups of yarns, as in basket weave and monk's cloth, or by alternating fine and coarse yarns to make ribbed and corded fabrics, as the warp-ribbed Bedford cord, piqué, and dimity and the weft-ribbed poplin, rep, and grosgrain. The second primary weave, twill, shows a diagonal design made by causing weft threads to interlace two to four warp threads, moving a step to right or left on each pick and capable of variations, such as herringbone and corkscrew designs. Noted for their firm, close weave, twill fabrics include gabardine, serge, drill, and denim. Satin weave has floating or overshot warp threads on the surface which reflect light, giving a characteristic luster. When the uncrossed threads are in the weft, the weave is called sateen.

Pile fabrics have an additional set of yarns drawn over wires to form loops, and may be cut or uncut. Warp-pile fabrics include terry and plush; weft-pile, velveteen and corduroy. In double-cloth weave two cloths are woven at once, each with its warp and filling threads, and combined by interlacing some yarns or by adding a fifth set. The cloth may be made for extra warmth or strength, to permit use of a cheaper back, or to produce a different pattern or weave on each surface, e.g., steamer rugs, heavy overcoating, and machine belting. Velvet is commonly woven as a double cloth. In swivel weaving, extra shuttles with a circular motion insert filling yarns to form simple decorations, such as the dots on swiss muslin. Figure weaves are made by causing warp and weft to intersect in varied groups. Simple geometric designs may be woven on machine looms by using a cam or a dobby attachment to operate the harnesses. For curves and large figures each heddle must be separately governed. The Jacquard loom attachment permits machine weaving of the most complicated designs.


See M. E. Pritchard, A Short Dictionary of Weaving (1956); A. Albers, On Weaving (1965); R. Brown, The Weaving, Spinning, and Dyeing Book (1978).

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Distortion in the shape of a plane timber surface, due to the movement of moisture; may be caused by improper seasoning.
Illustrated Dictionary of Architecture Copyright © 2012, 2002, 1998 by The McGraw-Hill Companies, Inc. All rights reserved
The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased.



in weaving, the parallel threads running lengthwise in a fabric. A fabric is formed on a loom by sucessively interweaving two perpendicular systems of threads, the warp and the weft. During weaving, the warp threads are stretched and bent much more than the weft threads. They also are abraded more by the loom. Therefore, the yarn for the warp must be stronger, have more twist, and be made from higher quality fibers than the weft. It is often treated with a glue solution, or sizing, before weaving.

The Great Soviet Encyclopedia, 3rd Edition (1970-1979). © 2010 The Gale Group, Inc. All rights reserved.


An upward or downward flexure of the earth's crust.
A layer of sediment deposited by water.
To move a vessel or other waterborne object from one point to another by pulling on lines fastened to a fixed buoy, wharf, or such.
Yarn extending lengthwise, under tension on a loom. Also known as end.
McGraw-Hill Dictionary of Scientific & Technical Terms, 6E, Copyright © 2003 by The McGraw-Hill Companies, Inc.


1. See carpet warp.
2. Distortion in shape of a parallel plane surface; in lumber, usually results from a change in moisture content.
McGraw-Hill Dictionary of Architecture and Construction. Copyright © 2003 by McGraw-Hill Companies, Inc.


1. a mental or moral deviation
2. the yarns arranged lengthways on a loom, forming the threads through which the weft yarns are woven
3. the heavy threads used to reinforce the rubber in the casing of a pneumatic tyre
4. Nautical a rope used for warping a vessel
5. alluvial sediment deposited by water
Collins Discovery Encyclopedia, 1st edition © HarperCollins Publishers 2005


This article is provided by FOLDOC - Free Online Dictionary of Computing (foldoc.org)


(1) See OS/2 Warp.

(2) A parallel processor developed at Carnegie-Mellon University that was the predecessor of iWARP.
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References in periodicals archive ?
By pushing the departure point many light years backwards, while bringing the destination closer, the warp drive effectively transports the starship faster than the speed of light.
A concept for a real-life warp drive was suggested in 1994 by Mexican physicist Miguel Alcubierre, however subsequent calculations found that such a device would require prohibitive amounts of energy.
Warp loom with cotton strands 8" (20 cm) longer than the proposed mat.
Traditional weaving lessons focus on the warp and the weft, and the patterns and textures produced when threads and fabrics are woven together.
This is a modification of the Hanging Warp, beginning with one-bead intervals between warps, expanding outward to 5,7, or more beads between warps at the opposite end.
Organisations and individuals can still apply for North-East SME Warp membership at pounds 65 and attend the computer and network security awareness course for pounds 100.
Anyone can participate in Space Warps project, which was launched on 8 May 2013.
The exterior siding on our home has become warped and wavy.
The shed opening is optimised and loads on the warp threads during weft insertion are reduced.
- Stationary drawing in station and the machine travels by during drawing in (can be imagined like traditional weaving preparation organization where workers prepare the warp beam just beside the weaving machine).
On 30th January, 2013 Simag organised Staubli Warp Preparatory Symposium at Colony Industries Pvt.
Karl Mayer will be exhibiting warp knitting machines and warp preparation machines at hall E 5, stand B 10 at ITMA ASIA.